Archive for the 'Ad Networks' Category

Clicks Are a Bad Metric (for influence or anything else)

Fast Company recently kicked off the Influence Project, an audacious effort to determine “Who are the most influential people online right now?” Unfortunately, they have made the same critical flaw in their measurement of influence that many first time and/or unsophisticated advertisers make — ie, focusing on clicks.

Under “How We Measure Influence” they clearly state their measurement philosophy:
The scale of your influence is based on…
1. The number of people who directly click on your unique URL link. This is the primary measure of your influence, pure and simple.
2. You will receive partial “credit” for subsequent clicks generated by those who sign-up as a result of your URL.

Essentially, this means, the primary form of measurement is clicks with a small component of the measure being people who sign up (or what we call “conversions”).

Here is why this is a problem. As of today, August 3rd, here is the #1 most influential person according to their measurement:

Yes, yours truly. However, if you go into rank view, you can see that I have only directly signed up 6 people. So, although I have sent a significant amount of click traffic I have driven very few conversions. In the online advertising world, this is equivalent of sending low value (or no value) traffic to an advertisers site and getting paid for it. This is a tactic we strongly advise advertisers to avoid, as a measurement of the post-click activity is far more important than the number of unique clicks.

Compare this to Mari Smith, an SEO consultant who has dominated the Influence Project rankings for most of the competition. She is currently ranked #2 in influence but has driven 346 people to sign up. Further downline from her initial signups (or conversions) she has driven thousands of additional signups as a result of her efforts.

In my opinion, there is no way you can argue that I am more influential than Mari as she is clearly driving more action from her referred visitors and more value to Fast Company’s efforts. In addition, some of the clicks I have sent I know are of zero value but there seems to be no measure of the value of an individual click.

In the ad world, businesses that pay on clicks quickly end up with 30-50% of their traffic being fraudulant. With no measure of click quality or value put on post-click performance, click traffic becomes the wild west. I would bet that Fast Company would see click volumes at 10-100x the current levels if they were paying even $.10 a click. According to some pundits, Fast Company should be paying per click given all the link love they are getting out of this controversial Influence Project.

I am considering testing the impact of sending high quality traffic to the Influence Project, rather than continuing my test of sending a stream of low to no value clicks, but to what end? Given that it is clear this project is focused nearly exclusively on clicks it is hard to imagine that any resulting rankings will be of any meaningful value. To argue that the “winner” is actually the most influential person on the web is simply a false argument.

POV - Point of Video

Is this good for your brand? (Part Two)

In 2007, I posed the question “Is buying video advertising in social media a good idea?” as a way to highlight publisher behavior that was hurting the video advertising industry.

Today, I pose the question “Is buying video advertising from a video syndicator a good idea?”  The answer is, it depends.  But, again, bad actors are hurting the video ad business. Broadcast videos sites such as Hulu and CBS have done a phenomenol job of maintaining high quality users expereinces when their videos are in syndication.  Hulu distributes their player to MSNFancast and other sites, and maintains a universal user experience.  CBS, through the audience network, controls video content, placement and advertising, to insure consistency.

The problems for brands become more evident when we are talking about the content licensors such as RooNewsMarketJamboTVa slew of others or any of the video ad networks that offer video syndication.  In an attempt to compete with the broadcasters (or each other), these publishers syndicate their players far and wide, with little attention paid to user experience, site or site placement.  As a result, video advertising campaigns can end up on low quality sites or, worse, not even be seen by the consumer.

This problem is most evident when brands unknowingly buy fake pre-roll, either from a video syndicator or a video ad network. Fake pre-roll occurs when an advertiser buys pre-roll video inventory, but gets a placement where the video player autostarts a video ad in display inventory, usually with the sound off and often below the fold.

Examples of fake pre-roll are abundant (see screenshots below).  In 15 minutes one day I found examples of MarsState FarmNicoretteVan de KampsStarburst and Starkist running in low quality, fake preroll placements.  On day two HellmansJelloTideOil of Olay and Bounty.  Sites such as Luvcube.comSweetiessweeps.comHairpedia.com and Pajiba.com provide clear examples of fake pre-roll with video syndication from Jambo and video ads from many “leading” video ad networks.  This gaming of video advertiser’s budgets is hurting all of us for the following reasons:

  • These advertisements won’t perform for the advertiser, which hurts budgets moving online and the perceived efficacy of online video advertising
  • These placements are priced at banner rates (or lower), which drives down rates for the entire category and falsely gives agencies the belief of a market rate
  • Advertisers run the risk of being placed next to inappropriate content, which could result in an advertiser or agency pulling out of video altogether

The problem of fake preroll can either be solved by agencies (by paying more attention to the placements they are buying, comparing ad performance among players and demanding URL by URL reporting) or by the players in the industry (by not taking advantage of unknowing buyers, “gaming” the medium and returning to focus on selling a high quality product).Personally, I am much more a fan of self-regulation. 

vandekamps_autostart.jpg     starkist_autostart.jpg     luvcube_belowfold.jpg     target_autostart.jpg vlasic_belowfold.jpg  
 
 

How To Spot “Fake Pre-Roll”

Yesterday I wrote a post on AdAge on “How to Spot Fake Pre-Roll,” as we have noticed a trend of online publishers and networks packaging low quality ad units as pre-roll. The article goes into detail about what to look out for and what questions you should ask to verify your pre-roll buys.

Here are the highlights:

Pre-Roll Quality Categories
1. Gold Standard: Traditional Pre-Roll, as defined above
2. High Quality: Video ads that play in the middle of long form content (such as an ad between segments of House on Hulu.com)
3. Medium Quality: Video ads that auto-start with sound in a publisher’s video section; no user initiation
4. Low Quality: Video ads that auto-start with sound on a publisher’s home page; no user initiation or attention
5. Questionable Quality: Video ads that auto-start without sound in display inventory (typically by an ad network without video technology)
6. Borderline Fraudulent: Video ads that auto-start without sound on a publisher’s video player which can be embedded by users anywhere

Key Queries to insure 100% Pre-Roll:
1. Will my video ads ever be played in the middle of content, as opposed to before content?
2. Will my video ads ever be served into an environment where video is not the main content on the page?
3. Will my video ads ever be auto-started, i.e. started without a user initiation?
4. Will my video ads ever be started with the sound off?
5. Will my video ads ever be served into display inventory?
6. Will my video ads be served into any syndicated content? (Syndication almost always means a reduction in quality.)
7. Can you provide me with a list of every URL my ads will appear on?

BrightRoll Fills Void Left By TV Networks

The television industry delivered another blow to the advertising community yesterday when NBC announced that they would be “giving advertisers cash back for prime time ratings shortfalls from last season.” Along with the writer’s strike, this represents the perfect storm - television inventory is lower quality AND now in lower quantity.

This is a horrendous outcome for all parties involved. Clients miss key marketing opportunities in the most important marketing period of the year, agencies miss their targets which is a disservice to their clients and tv networks miss out on significant revenue opportunities.

Additionally, this problem is only going to get worse. The writer’s strike has negatively impacted television content quality and ratings, but the real hit in both categories has yet to come. Many shows have strung along previously filmed content but are about to reach the end of that rope. If money is flowing back to agencies this quarter, expect a large chunk to be searching for a new home in Q1.

Fortunately, not all media channels are struggling. At BrightRoll, our video inventory is growing in both quality and quantity. We have significant Q4 and Q1 inventory available for broadcast buyers who have budgets previously allocated to under performing television placements.

Although we expect advertising dollars to follow their audience online regardless - sometimes it takes a shock to the system to accelerate the adoption.

BrightRoll Serves 1 Billionth Video Advertisement

Two days after announcing our financing, we just released news of our billionth ad served which was the HP Gwen Stefani campaign. We are extremely excited about this milestone and believe it demonstrates the scale that is occurring in our business and the overall video advertising market. I have included the release below and it is also available on Yahoo.

SAN FRANCISCO, Oct. 24 /PRNewswire/ — BrightRoll, Inc., the world’s
largest video advertising network, announced today that it has served its
one billionth advertisement less than six months since hitting the
half-a-billion mark. BrightRoll helps leading agencies, representing brands
such as Wal-Mart, Hewlett-Packard and Sony Pictures, launch and scale video
campaigns across the industry’s leading publishers. Since the company
launched in July 2006, BrightRoll has expanded its reach to provide
execution capabilities across over half of the top 100 online media
properties in the United States. The one-billionth video advertisement was
served on September 27, 2007 for Zenith Optimedia, Hewlett-Packard’s
advertising agency.

The campaign, for Hewlett-Packard printers, features Gwen Stefani
elaborating on her creativity and the creative process. BrightRoll helped
Zenith Optimedia execute the Hewlett-Packard campaign across a portfolio of
stellar publishers such as CBS, Clear Channel Radio, CNN and ESPN.

“BrightRoll has been a huge asset to the online video planning and
buying process for Zenith Optimedia and Hewlett-Packard,” said Miranda
Molen, media supervisor at Zenith Optimedia. “They streamlined the creative
production process, improved media efficiency and provided strategic
metrics analysis. Put simply, their knowledge of the digital video
landscape and ability to execute campaigns is unrivaled.”

“Video advertising is an important new category of online marketing and
we are excited to work with national brands and premier publishers to
unleash the incredible opportunities it represents,” said Tod Sacerdoti,
CEO, Brightroll. “BrightRoll’s growth is further evidence that scalable and
trusted solutions exist in the marketplace today and that online video
advertising has officially arrived.”

BrightRoll executes video campaigns on hundreds of publisher sites,
including more than 50% of the top 100 online media properties in the
United States. The average BrightRoll video campaign reaches over 50
million unique users over a six week period. A video advertising innovator,
BrightRoll is built entirely on proprietary video ad serving, targeting and
optimization technology.

About BrightRoll

BrightRoll is the world’s largest and most trusted video advertising
network, having served more than 1 billion advertisements in 12 months.
BrightRoll helps major brands and agencies execute “smart video ad
campaigns” across the industry’s leading publishers, including over half of
the top 100 online media properties in the United States. BrightRoll’s
proprietary campaign execution, inventory management and advertising
delivery technology provide brands and agencies with the reach, frequency
and scalability needed to achieve their campaign goals. BrightRoll is a
privately held, venture- backed company and holds its headquarters in San
Francisco, CA. BrightRoll offers its service at http://www.brightroll.com.

Amazon releases Context Link

I have been a long time Amazon.com Associate,amazon2.jpg ever since I released the eBook How To Use Google while in business school. I haven’t logged into my account in years but recently logged in and was impressed to see a new Context Link product (see Google Adsense example to the right). As a test of the new product, I thought I would list some great business books I have read below. If the product works, you should see a dotted underline that has a preview and links to Amazon.

Here are some of my favorite business books:

  • Hiring The Best - Martin Yate
  • Man’s Search for Meaning - Viktor Frankl
  • Made in America - Sam Walton
  • Trading Up - Michael Silverstein
  • The Tipping Point - Malcolm Gladwell
  • Rich Dad, Poor Dad - Robert Kiyosaki
  • Moneyball - Michael Lewis
  • Multiple Streams of Income - Robert Allen
  • Running Money - Andy Kessler

I promise to post more books soon and I will let you know how the Amazon contextual link performs.

AuctionAds - The real deal?

My CTO mentioned the site AuctionAds to me today and I recalled that I hadn’t checked up on their progress. Boy was I surprised reading Shoemoney’s latest post on the topic:

(AuctionAds was) started in March and has grown to 25,000 publishers showing 300 million impressions a day on over 80,000 unique domains is the hottest new advertising product for 2007.

I think those numbers are impressive no matter what business you are in, but I find them particularly interesting given their traction relative to AdBrite. AdBrite claims around 650M daily impressions across 31,000 sites, which would mean that AuctionAds has nearly caught them in under six months.

Now, there are lots of reasons to questions these numbers and I have seen their ads in lots of questionable locations (such as ThePirateBay). However, I believe the most interesting question to ask is “Why have they grown so fast?”

My hypotheses for the early success of AuctionAds:

  1. They are compatible with Google Adsense (ie, you can run both)
  2. There are many sites that Adsense will not monetize (works for AdBrite too)
  3. The company was started by a famous money maker (ie, powerful distribution)
  4. The ads are actually relevant content to the site, so folks will run them even if the economics are not super

That all said, the rubber meets the road on economics. I have yet to find any bloggers at scale that are generating over a $.20 CPM, which is still small potatoes in most categories. This will be an interesting one to watch but I am an early believer for sure.